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	<title>Comments on: Good-bye, Richard</title>
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	<link>http://clubtroppo.com.au/2008/11/26/good-bye-richard/</link>
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		<title>By: Fyodor</title>
		<link>http://clubtroppo.com.au/2008/11/26/good-bye-richard/#comment-333503</link>
		<dc:creator>Fyodor</dc:creator>
		<pubDate>Thu, 27 Nov 2008 02:23:46 +0000</pubDate>
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		<description>Curses!</description>
		<content:encoded><![CDATA[<p>Curses!</p>
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		<title>By: James Farrell</title>
		<link>http://clubtroppo.com.au/2008/11/26/good-bye-richard/#comment-333495</link>
		<dc:creator>James Farrell</dc:creator>
		<pubDate>Thu, 27 Nov 2008 01:57:04 +0000</pubDate>
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		<description>&lt;blockquote&gt;...disgusted by the recent production of Don Giovanni...&lt;/blockquote&gt;

You&#039;re David Malouf! Unmasked!</description>
		<content:encoded><![CDATA[<blockquote><p>&#8230;disgusted by the recent production of Don Giovanni&#8230;</p></blockquote>
<p>You&#8217;re David Malouf! Unmasked!</p>
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		<title>By: Fyodor</title>
		<link>http://clubtroppo.com.au/2008/11/26/good-bye-richard/#comment-333465</link>
		<dc:creator>Fyodor</dc:creator>
		<pubDate>Wed, 26 Nov 2008 22:58:46 +0000</pubDate>
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		<description>Back in your box, Chico. You got the Grand Pricks and we got opera. It&#039;s the natural order.

James, first off many thanks for writing here on Opera - I always enjoy your posts, and this one is excellent, with many valuable links.

That said, I think you&#039;ve been far too soft on Hickox. His death is obviously tragic, but I think his record at OA was weak, and got progressively worse in recent years. I was so disgusted by the recent production of &lt;i&gt;Don Giovanni&lt;/i&gt; that I left after the first act - the first time I&#039;ve simply given up on an opera performance.

While I agree with your assessment of the professionalism of the chorus and orchestra and the realities of of a tight budget, casting of principals is critical and I think Fiona Janes was absolutely on the money in her critique of Hickox and OA. Furthermore - and it really pisses me off to admit this - Alan Jones is also correct in pushing for a thorough overhaul of the board of OA.</description>
		<content:encoded><![CDATA[<p>Back in your box, Chico. You got the Grand Pricks and we got opera. It&#8217;s the natural order.</p>
<p>James, first off many thanks for writing here on Opera &#8211; I always enjoy your posts, and this one is excellent, with many valuable links.</p>
<p>That said, I think you&#8217;ve been far too soft on Hickox. His death is obviously tragic, but I think his record at OA was weak, and got progressively worse in recent years. I was so disgusted by the recent production of <i>Don Giovanni</i> that I left after the first act &#8211; the first time I&#8217;ve simply given up on an opera performance.</p>
<p>While I agree with your assessment of the professionalism of the chorus and orchestra and the realities of of a tight budget, casting of principals is critical and I think Fiona Janes was absolutely on the money in her critique of Hickox and OA. Furthermore &#8211; and it really pisses me off to admit this &#8211; Alan Jones is also correct in pushing for a thorough overhaul of the board of OA.</p>
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		<title>By: Nabakov</title>
		<link>http://clubtroppo.com.au/2008/11/26/good-bye-richard/#comment-333394</link>
		<dc:creator>Nabakov</dc:creator>
		<pubDate>Wed, 26 Nov 2008 14:13:55 +0000</pubDate>
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		<description>As far as I&#039;m concerned, it all went downhill when Opera Victoria was absorbed by Opera Australia and not vice versa.</description>
		<content:encoded><![CDATA[<p>As far as I&#8217;m concerned, it all went downhill when Opera Victoria was absorbed by Opera Australia and not vice versa.</p>
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