The White Ribbon
Posted by James Farrell on Monday, June 7, 2010
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This film won both the Palme D’Or and the Golden Globe for Best Foreign Film last year. Paul Martin endorsed it a couple of months ago, but since it’s approaching the end of its run in Australian cinemas, I thought one last recommendation wouldn’t hurt.
I find myself in complete agreement with Paul for a change. The White Ribbon turned out to be as grim and disturbing as I was led to expect, but an enriching experience all the same. Any film that can maintain its integrity in the face of remorseless global Hollywoodization deserves applause. People will call this depressing, but it’s the formulaic and predictable films that are depressing, not the ones that shine a torch into dark places in search of truth.
For the benefit of anyone who hasn’t seen it, the story is set in 1913, in a fictitious German farming village called Eichwald, which is afflicted by series of mysterious accidents and violent crimes. The events are reconstructed from hazy recollections after the passage of many decades by a now elderly man, who was the village schoolmaster at the time. What is established beyond doubt as his narrative unfolds, however, is that this community at the time he portarys it is almost devoid of warmth and kindness. Psychological cruelty seems to be the village’s basic currency. The children, who bear the brunt of this, and various amounts of corporal punishment and sexual abuse, are the focus of the story. Their teacher is one of the few adults who offers them some kindness, but he is largely a helpless bystander to their emotional rape. (Continued)

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