The Trouble With You (Opening Night)
Yvonne is the principled young widow of the local police chief who was killed in the line of duty. Each night she puts their young son to sleep with tales of his daring and bravery, and so naturally Yvonne is horrified to learn that her husband was not the embodiment of virtue as she had been led to believe-an innocent man named Antoine, has spent eight years falsely imprisoned as a result of his corruption! Yvonne decides to do everything she can to help return the hapless parolee to his regular life and devoted fiancé. Unfortunately, Antoine has trouble adjusting back to society, and soon blows a fuse that leads to an hilarious trail of destruction, where moral, social and romantic obligations are put to the test in a spectacular way.
David is a carefree 20-something in the throes of a new romance with Lena, and lives a carefree life until an incident abruptly forces him to assume the guardianship of his seven-year-old niece, Amanda.
Alexandre lives in Lyon with his wife and children. One day, quite by chance, he discovers that the priest who abused him when he was a member of a boy scout troop is still working with children. Determined to see justice served, Alexandre re-establishes contact with his boyhood friends – also victims of the same priest – François and Emmanuel. The men vow to ‘lift the burden of silence’. However, as the institutional weight and power of the Catholic Church bears down on this defiant group of survivors determined to tell their story, no one is left unscathed.
Two decades after its filming, Olivier Meyrou’s controversial yet exquisitely drawn portrait of France’s last great fashion designer, Yves Saint Laurent, has finally seen the light of day, having previously been withheld from release by Saint Laurent’s business partner, Pierre Bergé. Echoing its ambiguous title, Celebration goes behind-the-scenes to present both Yves the Legend and Yves the Man, as he prepares his final collection before the fashion house was sold to Gucci in 1999. Icons of the glamour industry and the many top models who have donned Saint Laurent’s gowns – show their unerring dedication to the fashion house and its namesake. And then there’s Yves himself – on the one hand, larger than life and, on the other, astonishingly reclusive, irritable and even inelegant.
Lara is an adolescent transgender girl from Belgium. Her struggle is not so much with her gender identity as with her passion to become a professional ballerina. Supported by her Francophone father and younger brother, she commences her journey into gender reassignment, yet her teenage impatience and the immense pressures of ballet push Lara to the brink.
☆☆☆☆☆ Eye For Film
☆☆☆☆☆ Slant Magazine
In Safe Hands throws us deep into the milieu of the French social assistance services where the fate of one baby boy exposes the conflicting conundrums faced by many women – those giving up their babies and those desperate to have their own. When baby Theo’s birth mother surrenders him to adoption, child protection services, and officers such as Karine, are called to action, and the harsh realities of the adoption process are pulled into sharp focus. Karine entrusts Theo to Jean – no stranger to the foster system himself – who takes on the responsibility of the newborn until a suitable home can be found. Meanwhile, Alice has never given up the fight to be a mother and faces the prospect of this dream finally coming true, although nothing is certain.
Over half a century has passed; yet, Alain Resnais’ para-surrealist masterpiece is as powerful today as when originally released at the height of the French New Wave. Set within a breathtakingly ornate Baroque mansion seemingly frozen in time, which the camera captures through continuous panning of its sumptuous interiors, Last Year at Marienbad focuses on two central, unnamed characters – one a French woman and an Italian man. They may have been lovers at the hotel the previous year but the woman denies knowing him, while another man – possibly her husband – asserts his dominance by constantly challenging and beating the Italian man at the mathematical game of nim.
☆☆☆☆☆ Slant Magazine
☆☆☆☆☆ The Movie Waffler
Promise At Dawn is the ‘fictionalised’ telling of author and diplomat Romain Gary’s early life. We’re thrown into a tumultuous trajectory that twists and turns across a difficult childhood in Poland, a sun-drenched adolescence in Nice and through to piloting adventures in Africa. At every touchstone in Gary’s life, his mother Nina leaves her ineffaceable mark. With boundless dreams and huge aspirations, she is the momentum that propels Gary forward, eventually culminating in the novel of Promise at Dawn that he feverishly writes as his life comes to a close during the Dia de los Muertos celebrations in Mexico.
A disparate group of 40-somethings – all in the throes of mid-life crises – form a localswimming pool’s inaugural, males-only synchronised swimming team. Staring down ongoing ridicule and contempt from all angles, they engage a fallen champion, Delphine as their coach, supported by her tough-as-nails former swim partner Amanda. Unwittingly, the team members embark on an unlikely journey of redemption that sees each one of them rebuild some sense of their self-worth.
☆☆☆☆☆ The Upcoming
Pierre-Paul is a listless loser with a PhD in Philosophy who feels his job as a delivery driver is well below him. His mundane life is turned upside down when, by luck, he finds himself saddled with a princely sum in stolen cash. Enlisting the help of an ex-con with a finance degree, Sylvain, and a Racine-quoting callgirl, Aspasie, Pierre-Paul considers what to do with the loot, as he tries to outmanoeuvre the heisters who want ‘their’ money back.
Based on the remarkable true story of Joseph Ferdinand Cheval. Set in the south of France in 1879, Cheval is a humble postman. He leads an unassuming life, seemingly revelling in the solitude of his 20-mile delivery routes and daydreaming about the world of wonders that he only sees through the postcards and magazines he delivers. He meets and falls in love with the breathtaking Philomène, and the arrival of their baby daughter, Alice, causes him to look at things in a different way. He sets about building a castle for Alice – one fit for a princess – that consumes the next 30-plus years of his life. This castle eventually becomes recognised as an enduring and important French historical monument.
This documentary offers ample servings of energy and enthusiasm, as it introduces us to the renegades – the rebels, the critical thinkers and the ethically minded – who have waged something of a revolution in Catalonia, in the south of France, as part of a rising global movement in improved taste and sustainability. In doing so, they’ve chosen the hard road but one of immeasurable satisfaction. As one of the winemakers confesses, “I’m giving birth; that’s what it’s like.” With Wine Calling, you won’t bear witness to a meditation on pastoral tranquillity; but rather experience something far more rock ‘n’ roll in spirit.
Kiss & Tell (Closing Night)
Julien is a man haunted by a secret. Julien’s son, Alex, finds out that 17 year-old Eva has neglected to tell him he’s going to be a father. Eva’s mother, Véro, fears the worst for her grandchild. While Elizabeth, whose husband, Bertrand has disappeared into thin air, witnesses her home trashed by a search warrant.